#7
As
history pursues its course of conflict, Kapitalismo-sozjietie
reinforces its class structure ideologically. The effect of
distortion upon the monocular and singular reality produces a
fragmentation of reality, Walled
City1,
a representation of its own ideology.
The
spectacle of mediation advances the intensification of the
fundamental interconnection between the monocular-singular mediation
of reality on the one hand and the fragmented mediation of reality on
the other. The image of Kapitalismo-sozjietie is constantly
reshaping the ideology of Kapitalismo-sozjietie through the
{representations} of its own 'social' identity, virtually, an economy
that produces a proliferation of virtual reality, Walled
City,
a proliferation via a system of autonomization, a concrete ideology
of duality.
Walled
City
can be viewed as “a kind of subversive antinetwork.”2
Walled
City
“exists outside the influence of law and corporate capital.”3
The domain of the virtual is a veil, a secret point of origin for
the legends and myths, developed to a point of heritage, a veil for
nodal end-user hackers who are “the denizens of Walled
City
... very proud of their {transgressions}.”4
Hacktivists,
White Hats and Elite hackers, all of them cybernetic and sociocratic,
make up fragmentation of the real that opposes the monocular-singular
reality of Kapitalismo-sozjietie's authority, a check and a balance
upon its ultimate supremacy, by operating as “{i}ntelligence
agencies and cyberwarfare operatives” of their own totality.5
The centralization of networked technology is the root point, the
checkpoint, or gate, through which the sign of the commodity, the
Logos of Kapitalismo-sozjietie, travels, is reconfigured, manipulated
and redistributed to its destination points of multiplicitous
localities; whole at the centre, monocular and singular, whilst also
pixelated by the plethora of each nodal end-user. The 'pixelation'
of Kapitalismo-sozjietie's own overall image is its own operation of
subversion, the digital cognition of its own imagination,
understanding its direct object, in flux, through direct
communication with its multiplicitous subject.
Kapitalismo-sozjietie's
order is able to remain monocular and singular through its radical
flux of signs, these pixels making up its motion picture; it gives it
a narrative that can at once be conceptual as either statist or
political or simultaneously an affront to both of these.
Kapitalismo-sozjietie is its own critique, it is its own dialectic.
Its continued existence is not threatened by any community of hacker
elites, rather, it interprets their codes and messages, without
enmity, to relay a collection of signals, to form an overall signal,
a signal that is tactical, to learn the function of the part of it,
its nervous system, that is digital.
Citizen
Smith found out that towards the end of the 1970s, Kapital was
seeking to employ computer operators to learn its new procedures.
1Gibson,
W. (1997) Idoru. New York:
Berkley Books.
3Op.
Cit.
4Op.
Cit.
5Chabrow,
E. (2012) “7 Levels of Hackers: Applying An Ancient Chinese
Lesson.” GovInfo Security.
Retrieved Feb. 27.
©Elijah Nathaniel James
